March 20, 2025
๐ค๐จ๐๐ญ๐ข๐ก ๐๐๐ง๐ฌ, ๐ ๐๐ฅ๐๐ ๐ฎ๐ฌ, ๐ฎ๐ฌ๐ฎ๐ฑ: ๐๐๐ ๐๐ฃ๐๐๐ฃ๐๐ฉ๐ ๐๐๐๐ง๐๐ง๐ฎ ๐๐ฃ๐ ๐๐ฉ๐๐๐ง ๐๐ฉ๐ค๐ง๐๐๐จโan exciting collection of loosely connected stories that push the boundaries of form and genre, blending realism, speculative fiction, and experimental narrativeโwas launched to the media today by award-winning Filipino short fiction writer Victor Fernando Ocampo at Big Sky Mind along Broadway Avenue, New Manila, Quezon City.
Published by Vibal Foundation Inc., this new book is part of a new catalog of trade publishing titles under new imprints. ๐๐๐ ๐๐ฃ๐๐๐ฃ๐๐ฉ๐ ๐๐๐๐ง๐๐ง๐ฎ ๐๐ฃ๐ ๐๐ฉ๐๐๐ง ๐๐ฉ๐ค๐ง๐๐๐จ is under Paradox, Vibalโs imprint for speculative fiction that offers readers โthe fruits of unfettered imagination.โ Fantasy, science fiction, and horror tales celebrate Filipino creativity, simultaneously anchored in the here and now while soaring to far-flung futures and diving deep into the mythic past.
Serving as editorโat-large of this collection is Dean Francis Alfar, an award-winning author, pioneer of Philippine speculative fiction, and Chairman of the Filipino Critics Circle. In his review, Alfar states that โOcampoโs strengths are beautifully evidentโ in this collection, with โan eye for the smallest of details that contribute to a powerful sense of place, an ear for dialogue that emanates from the hearts of his characters, and a passion-fueled imagination that recreates the past and constructs the future in bold and satisfying ways.โ
The Singapore-based Ocampo is the author of the International Rubery Book Award shortlisted ๐๐๐ ๐๐ฃ๐๐๐ฃ๐๐ฉ๐ ๐๐๐๐ง๐๐ง๐ฎ ๐๐ฃ๐ ๐๐ฉ๐๐๐ง ๐๐ฉ๐ค๐ง๐๐๐จ (Math Paper Press, 2017; US edition: GaudyBoy, 2021; Philippine edition: Vibal, 2024) and ๐๐๐ง๐ ๐ฝ๐ ๐ฟ๐ง๐๐๐ค๐ฃ๐จ (Canvas Press, 2015), which won the Romeo Forbes Childrenโs Story Award in 2012. His interactive fiction piece โ๐๐ฉ๐ฆ ๐๐ฐ๐ฐ๐ฌ ๐ฐ๐ง ๐๐ฆ๐ฅ ๐๐ฉ๐ข๐ฅ๐ฐ๐ธ๐ดโ debuted at the Singapore Writers Festival in 2020.
The collection features 17 stories that have been published across various prestigious collections and journals over several years, showcasing the authorโs evolution as a writer. Notable works include โMene, Thecel, Phares,โ which first appeared in Philippine Speculative Fiction Volume 10 (2016), edited by Dean and Nikki Alfar. โAn Excerpt from the Philippine Journal of Archaeology, 04 October 1916โ was published in Likhaan: The Journal of the U.P. Institute of Creative Writing Volume 8 in December 2014.
The award-winning childrenโs story โHere Be Dragonsโ won the 2012 Romeo Forbes contest and was published by CANVAS in August 2015. Other stories such as โSynchronicityโ were featured in Bewildering Stories (2012) and won a Mariner Award in the same year.
The authorโs journey began with โResurrection,โ his first published work, appearing in Philippine Speculative Fiction Volume 6 in September 2010, which received an honorable mention in Ellen Datlowโs Best Horror of the Year 2011.
Over the years, additional stories have been published in various anthologies and magazines such as Apex Magazine, Lakeside Circus, and Science Fiction: Filipino Fiction for Young Adults, with some stories even being translated into other languages, including Mandarin Chinese and Tamil.
โThe Ocean Above Herโ a recent addition to the collection, first appeared in Philippine Genre Stories in December 2024, demonstrating the authorโs continued relevance and contribution to contemporary speculative fiction. The collection encapsulates years of dedication and recognition in the literary world, featuring stories that highlight Filipino culture and themes of identity, existence, and the human experience.
During the media launch presented by Vibal Foundation and Mulles & Ocampo Infinite Library Pte Ltd (M&O) at Big Sky Mind, Ocampo narrated his arduous writing journey. โIt was a tedious process and an emotional journey including a lot of self-doubt and rejection from local editors who preferred more traditional forms of storytelling,โ he revealed.
A transformative moment occurred however when his partner submitted one of his stories, leading to an unexpected acceptance and gradually reshaping Ocampoโs perception of his own voice. True enough, after years of effort, the authorโs collection found a home with Math Paper Press in Singapore, followed by subsequent editions from different publishers, including Gaudy Boy.
The journey took nearly a decade, facing numerous hurdles, including a publisherโs scandal that temporarily derailed distribution in the Philippines.
โUltimately, it was Vibal that secured the publication rights, resulting in a definitive edition of The Infinite Library and Other Stories. This edition symbolizes the culmination of our efforts and experiences, finally allowing my transnational Filipino characters, who navigate complex cultural and existential spaces, to come home to their intended audience,โ Ocampo noted.